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Digitech. Bald. Californian.

SF/LA Local. Worldwide experience in Europe, Mexico and Japan.

Extensive knowledge of traveling with gear and working with local producers.



  • On-set Retouching (Excel at Cars & Food)

  • Video (operator & DP)

  • Video Editing



  • Audi
  • Bentley
  • Häagen-Dazs
  • Lexus
  • Hyundai
  • Ghirardelli
  • Genentech
  • Google
  • Visa
  • Chase
  • Apple
  • PG&E
  • Toyota
  • Ford
  • Miller
  • Applebee's
  • McDonalds
  • Starbucks
  • Kraft
  • Huggies
  • Restoration Hardware
  • Williams Sonoma
  • Pottery Barn
  • Levi's
  • Shutterfly
  • Prada
  • Ralph Lauren
  • Tommy Hilfiger
  • Vogue
  • Vogue Japan
  • Vanity Fair
  • PETA
  • Ann Taylor
  • Title Nine


  • 2 MacBook Pro
  • MacBook Air
  • iPad
  • NEC 27"
  • Apple Thunderbolt 27"
  • Versa Batteries
  • Hyperjuice Batteries
  • Goal Zero Yeti 400
  • Lizone Portable Batteries for Hubs/Hard Drives
  • Inovativ Scout 31"
  • Backstage Magliner
    (Both with monitor arm)
  • Hasselblad Gear (Digital/H Series)
  • RED Raven
  • DJI Ronin
  • Strobes
  • Tungsten Fresnel and Blondes
  • Grip



I started out as a geeky kid building computers and even beta testing computer games in the 90’s. Then I got into New York City’s film industry in 2004 as a PA. A couple years later I switched to stills and assisted and teched on fashion ads/editorials, car commercials, jewelry, beverage, soft good laydowns, corporate portraits, and architecture shoots. All the while my motion background (including a film degree from UCSC) allowed me to seamlessly switch between strobe and continuous lighting sources/modifiers and keep me as a knowledgeable asset on productions that are shooting both.

While I still think I'm a bit of a nerd, I tend to spend my time away from computers and take pictures of the ocean and cats (www.kenbrownart.com), spin, and bake bread.

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 Photo by  Ellis Au

Photo by Ellis Au

+1.415.DIE.KOOL (343.5665)


Name *


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