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Digitech. Bald. Californian.

SF/LA Local. Worldwide experience in Europe, Mexico and Japan.

Extensive knowledge of traveling with gear and working with local producers.



  • On-set Retouching (Excel at Cars & Food)

  • Video (operator & DP)

  • Video Editing



  • Audi

  • Bentley

  • Häagen-Dazs

  • Lexus

  • Hyundai

  • Ghirardelli

  • Genentech

  • Google

  • Visa

  • Chase

  • Apple

  • PG&E

  • Toyota

  • Ford

  • Miller

  • Applebee's

  • McDonalds

  • Starbucks

  • Kraft

  • Huggies

  • Restoration Hardware

  • Williams Sonoma

  • Pottery Barn

  • Levi's

  • Shutterfly

  • Prada

  • Ralph Lauren

  • Tommy Hilfiger

  • Vogue

  • Vogue Japan

  • Vanity Fair

  • PETA

  • Ann Taylor

  • Title Nine



  • 2 MacBook Pro
  • MacBook Air
  • iPad
  • NEC 27"
  • Apple Thunderbolt 27"
  • Versa Batteries
  • Hyperjuice Batteries
  • Goal Zero Yeti 400
  • Lizone Portable Batteries for Hubs/Hard Drives
  • Inovativ Scout 31"
  • Backstage Magliner
    (Both with monitor arm)
  • Hasselblad Gear (Digital/H Series)
  • RED Raven
  • DJI Ronin
  • Strobes
  • Tungsten Fresnel and Blondes
  • Grip



I started out as a geeky kid building computers and even beta testing computer games in the 90’s. Then I got into New York City’s film industry in 2004 as a PA. A couple years later I switched to stills and assisted and teched on fashion ads/editorials, car commercials, jewelry, beverage, soft good laydowns, corporate portraits, and architecture shoots. All the while my motion background (including a film degree from UCSC) allowed me to seamlessly switch between strobe and continuous lighting sources/modifiers and keep me as a knowledgeable asset on productions that are shooting both.

While I still think I'm a bit of a nerd, I tend to spend my time away from computers and take pictures of the ocean and cats (www.kenbrownart.com), spin, and bake bread.

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Photo by  Ellis Au

Photo by Ellis Au

+1.415.DIE.KOOL (343.5665)


Name *


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